It contains an out-of-order Fibonacci sequence. Langdon is shown the body and a secret message, readable only by blacklight. Police captain Bezu Fache has his lieutenant, Jérôme Collet, summon American symbologist Robert Langdon, who is in Paris for a lecture on the interpretation of symbols, to examine Saunière's body. The police find his body posed like Da Vinci's Vitruvian Man. Saunière gives him a false lead and is murdered. Jacques Saunière, a Louvre curator, is pursued through the Grand Gallery by an albino Catholic monk named Silas, who demands the location of the Priory's "keystone" to find and destroy the Holy Grail. It was followed by two sequels, Angels & Demons (2009) and Inferno (2016). However, the film received generally negative reviews from critics. The film grossed $224 million in its worldwide opening weekend and a total of $760 million worldwide, becoming the second-highest-grossing film of 2006, as well as Howard's highest-grossing film to date. In the book, Dan Brown states that the Priory of Sion and "all descriptions of artwork, architecture, documents and secret rituals in this novel are accurate." Many members urged the laity to boycott the film. It was met with especially harsh criticism by the Catholic Church for the accusation that it is behind a two-thousand-year-old cover-up concerning what the Holy Grail really is and the concept that Jesus Christ and Mary Magdalene were married and that the union produced a daughter, as well as its treatment of the organizations Priory of Sion and Opus Dei.
The film, like the book, was considered controversial. Also searching for the Grail is a secret cabal within Opus Dei, an actual prelature of the Holy See, who wish to keep the true Grail a secret to prevent the destruction of Christianity. A noted British Grail historian, Sir Leigh Teabing, tells them that the actual Holy Grail is explicitly encoded in Leonardo da Vinci's wall painting, The Last Supper. Langdon escapes with the assistance of police cryptologist Sophie Neveu, and they begin a quest for the legendary Holy Grail. On the body, the police find a disconcerting cipher and start an investigation. In the film, Robert Langdon, a professor of religious symbology from Harvard University, is the prime suspect in the grisly and unusual murder of Louvre curator Jacques Saunière. The first in the Robert Langdon film series, the film stars Tom Hanks, Audrey Tautou, Sir Ian McKellen, Alfred Molina, Jürgen Prochnow, Jean Reno and Paul Bettany.
Langdon and Sophie then run all over France and, eventually, England, dodging the police while solving the coded puzzles that Sauniere left behind-puzzles which lead to a secret society that claims everything Christians believe is a lie.The Da Vinci Code is a 2006 American mystery thriller film directed by Ron Howard, written by Akiva Goldsman, and based on Dan Brown's 2003 novel of the same name. Police chief Bezu Fache (Jean Reno) summons Robert Langdon (Tom Hanks), an expert on symbols, to the Louvre and comes to believe that Langdon might be the killer-but while he is plotting to arrest Langdon, Sauniere's granddaughter Sophie Neveu (Audrey Tautou), herself a police officer, helps Langdon to escape. In his dying moments, Sauniere strips off his clothes, cuts a symbol into his own flesh, and scrawls some cryptic messages in invisible ink in various places around the museum. The film, on the other hand, is a dull and plodding bore, and it takes itself far, far too seriously.įor those who have not yet read the book or any summaries thereof, the story begins with an albino monk named Silas (Paul Bettany) shooting Jacques Sauniere (Jean-Pierre Marielle), the curator of the Louvre museum in Paris. Dan Brown's novel may be the product of extremely sloppy historical study, but even many of the book's critics have admitted that it is a "page-turner," an exciting yarn that carries the reader off on a semi-clever, fast-paced ride. And leading man Tom Hanks has said it's loaded "with all sorts of hooey and fun kind of scavenger-hunt-type nonsense," calling the story "a lot of fun."
It's not history, and it's not theology, director Ron Howard has said instead, it's just a rollicking good bit of entertainment. The makers of The Da Vinci Code have been saying for some time now that their film is not supposed to be taken all that seriously.